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  • richardmitnick 7:34 pm on September 23, 2017 Permalink | Reply
    Tags: A reimagining of Gorecki's 3rd Symphony, Colon Stetson - Sorrow, Henryk Gorecki - Symphony of Sorrowful Songs - Symphony #3, Not science - just a great story   

    It’s Not science, but it is Worth Your Time – Colon Stetson: Sorrow – A reimagining of Gorecki’s 3rd Symphony 

    Henryk Gorecki
    The Symphony No. 3, Op. 36, also known as the Symphony of Sorrowful Songs (Polish: Symfonia pieśni żałosnych), is a symphony in three movements composed by Henryk Górecki in Katowice, Poland, between October and December 1976. The work is indicative of the transition between Górecki’s dissonant earlier manner and his more tonal later style. It was premièred on 4 April 1977, at the Royan International Festival, with Stefania Woytowicz as soprano and Ernest Bour as conductor.[1]

    A solo soprano sings Polish texts [2] in each of the three movements. The first is a 15th-century Polish lament of Mary, mother of Jesus, the second a message written on the wall of a Gestapo cell during World War II, and the third a Silesian folk song of a mother searching for her son killed by the Germans in the Silesian uprisings.[3] The first and third movements are written from the perspective of a parent who has lost a child, and the second movement from that of a child separated from a parent. The dominant themes of the symphony are motherhood and separation through war.

    Until 1992, Górecki was known only to connoisseurs, primarily as one of several composers from the Polish School responsible for the postwar Polish music renaissance.[4] That year, Elektra-Nonesuch released a recording of the 14-year-old symphony that topped the classical charts in Britain and the United States. To date, it has sold more than a million copies, vastly exceeding the expected lifetime sales of a typical symphonic recording by a 20th-century composer. This success, however, has not generated similar interest in Górecki’s other works.

    Published on Apr 8, 2016yya reimagining of Gorecki’s 3rd Symphony

    Colin Stetson is an American saxophonist and multireedist. He is best known as a regular collaborator of the indie rock acts Arcade Fire, Bon Iver, and Bell Orchestre. In addition to saxophone, he plays clarinet, bass clarinet, French horn, flute, and cornet.

    Contributors to SORROW:
    Colin Stetson: Alto, Tenor, Bass Saxophones; Contrabass Clarinet; Lyricon
    Dan Bennett: Tenor, Baritone Saxophones; Clarinet
    Greg Fox: Drums
    Grey Mcmurray: Guitar
    Gyda Valtysdottir: Cello
    Justin Walter: Keyboards, EVI
    Matt Bauder: Tenor, Baritone Saxophones; Clarinet
    Megan Stetson: Voice
    Rebecca Foon: Cello
    Ryan Ferreira: Guitar
    Sarah Neufeld: Violin
    Shahzad Ismaily: Synth

    Studio: Figure 8 Studios, Brooklyn NY
    Engineer: Eli Crews
    Producer: Colin Stetson
    Mastering engineer: Mell Dettmer

  • richardmitnick 8:16 am on May 16, 2017 Permalink | Reply
    Tags: Arcade Fire’s Will Butler graduates from HKS, , Not science - just a great story   

    From Harvard: “Moving the needle” Arcade Fire’s Will Butler graduates from HKS 

    Harvard University
    Harvard University

    May 15, 2017
    Jill Radsken

    William Butler, multi-instrumentalist for Arcade Fire, enrolled in the Kennedy School’s midcareer master’s program in public administration to broaden and enhance the band’s award-winning humanitarian efforts. Stephanie Mitchell/Harvard Staff Photographer

    It took Will Butler a few years to find the time, but where to continue his education was never in question.

    “Part of why I’m at a policy school and not an art school is because I care about context, and the context of the humanity enriches the art,” said Butler, a multi-instrumentalist in the indie rock band Arcade Fire who graduates from Harvard Kennedy School’s (HKS) midcareer master’s program in public administration. “I don’t think historicizing art has to cheapen it. I think you can be of two minds [on] things.”

    Butler first applied to HKS in 2012 but band commitments intervened. After deferring a second acceptance, he began his studies in fall 2016 and found it valuable to be in an academic environment during and after the election.

    “It’s nice to be in a space hearing how government works, and foreign policy works, from the horse’s mouth,” said Butler, whose areas of interest are international development and the state of America. “It feels very apropos to be plugged into that world.”

    He said Arcade Fire’s music making has never been simply about the music.

    “You try to be a human and then it’s a bit of a mystery how the art is produced. We’ve always had to take time off and live just on a human level. That’s always been our method — engaging with the community and then questioning ourselves and then making art,” he said.

    The band’s efforts to affect change helped point Will toward HKS. His older brother, Win, founded Arcade Fire with Régine Chassagne, whose family had fled Haiti for Canada during the Duvalier dictatorship. In 2007, the band began giving $1 from every concert ticket sold to Partners In Health. After a decade of sales (and engaging other musical groups to do the same through the nonprofit Plus 1) and having trained thousands of outreach volunteers, Arcade Fire helped raise more than $4 million, earning the band the 2016 Allan Waters Humanitarian Award in Canada.

    “I came here to figure out how to help them better and, in a general sense, how to move this mission [forward], of caring for people who have less power,” Butler said. “It’s part of the same conversation that Haitians are having and Rwandans are having, and I’ll be doing it in a slightly more informed manner than just going around playing shows.”

    The band, which will release an album this year and has scheduled a European tour this summer, typically plays to crowds of 10,000, a size Butler said makes him think about the way he interacts with them “that is real and human.” That may be why History and Literature lecturer Timothy P. McCarthy’s course “The Art of Communication” offered him so much insight.

    “After the election, I felt like I need to talk to everybody,” Butler said. “It’s a rare resource to have (such a big stage). An artistic experience is not nothing, but maybe there is more to be done.”

    He plugged into the School’s diverse cohort, connecting with students from Nigeria and Azerbaijan and hearing freedom of speech arguments from a range of voices that included a student from Singapore and former Obama administration officials.

    “Part of what has been great about being here and being a little older,” said Butler, who is 35, “is not caring terribly much about formal constraints or hierarchy. I really see everyone as my peer. That’s how I approach music and performance as well. It’s communicating with as opposed to performing for.”

    Butler will return to the stage with a deeper appreciation of how music is so closely tied to issues of race, equality, and social justice. In his fall course “Political Revolutions” with Leah Wright Rigueur, assistant professor of public policy, he studied Detroit, learning about the black struggle for civil rights, the White Citizens’ Councils, and the 1967 riots in that city.

    “Motown is three-quarters of a mile from where the riots started. It’s not an ahistorical force. Marvin Gaye was recording ‘Ain’t Nothing Like the Real Thing.’ ‘Ain’t No Mountain High Enough’ also happened. You can look at those songs from a policy lens and a political lens,” Butler said, “but you can also divorce them from that and hear them as an aesthetic event. I vote for engaging on all levels.”
    ‘Where the Roads All End’ is where story begins
    View all posts in Arts & Culture

    See the full article here .

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    Harvard University campus
    Harvard is the oldest institution of higher education in the United States, established in 1636 by vote of the Great and General Court of the Massachusetts Bay Colony. It was named after the College’s first benefactor, the young minister John Harvard of Charlestown, who upon his death in 1638 left his library and half his estate to the institution. A statue of John Harvard stands today in front of University Hall in Harvard Yard, and is perhaps the University’s best known landmark.

    Harvard University has 12 degree-granting Schools in addition to the Radcliffe Institute for Advanced Study. The University has grown from nine students with a single master to an enrollment of more than 20,000 degree candidates including undergraduate, graduate, and professional students. There are more than 360,000 living alumni in the U.S. and over 190 other countries.

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